La casa de Piranesi no es un edificio cualquiera: sus habitaciones son monumentales, con paredes llenas de miles de estatuas, y sus pasillos, interminables. Dentro del ďdalo de corredores hay un očano aprisionado en el que las olas retumban y las mareas inundan los aposentos. Pero Piranesi no tiene miedo: comprende las embestidas del mar igual que el patr̤n del laberinto, mientras explora los l̕mites de su mundo y avanza, con la ayuda de un hombre...

The timeless Carceri etchings of Piranesi (1720–1778) represent not only spectacular artistic accomplishments but also unforgettable expressions of psychological truths. Combining the influences of Tiepolo, Bibiena, and Rembrandt, these works of architectural fantasy challenge the boundaries of perception, creating a vast system of visual provocation. Innumerable staircases, immense vaults, and other ambiguous structures are compounded with projecting...

"For fans of Piranesi and The Midnight Library, a stunning historical fantasy novel set on a grand express train, about a group of passengers on a dangerous journey across a magical landscape It is said there is a price that every passenger must pay. A price beyond the cost of a ticket. There is only one way to travel across the Wastelands: on the Trans-Siberian Express, a train as famous for its luxury as for its danger. The train is never short...

"Nineteen-year-old Merowdis Scot is an unusual girl. She can talk to animals and trees--and she is only ever happy when she is walking in the woods. One snowy afternoon, out with her dogs and Apple the pig, Merowdis encounters a blackbird and a fox. As darkness falls, a strange figure enters in their midst--and the path of her life is changed forever." --Back cover.

Is travel inherently beneficial to human character? Does it automatically educate and enlighten while also promoting tolerance, peace, and understanding? In this challenging book, Dean MacCannell identifies and overcomes common obstacles to ethical sightseeing. Through his unique combination of personal observation and in-depth scholarship, MacCannell ventures into specific tourist destinations and attractions: "picturesque" rural and natural landscapes,...

For Karen Garthe, poetry is a Molotov cocktail. A master of radical invention, Garthe combines brio of conception with linguistic virtuosity, bringing language to new life from the inside at breakneck speed. The Banjo Clock, her second collection, cultivates a luxuriant sensibility even as it interrupts poetic continuity with cuts, ironies, sharp wit, and wild recklessness. In poems that consider poetry itself, Garthe writes about preparing the medium,...

Steven Brooke's artistic predecessors, the 17th- and 18th-century viewpainters and engravers, were often associated with one city: Piranesi in Rome, Canaletto in Venice, and Roberts in the Holy Land. Similarly, Brooke has made the documentation of his city, Miami, a significant part of his life's work. He has selected the architecture that best represents the diverse architectural heritage that is Miami, including Mediterranean and Italianate Revival,...

"An unnerving, sinister, and brilliant dystopian novel about the choices we make at the end of the world, posing the question: Who can you trust when there’s almost no one left? Years after complete antibiotic resistance has brought about global devastation, Kit ekes out an existence on a remote island alongside the taciturn Crevan, who has more recently fled the mainland. With once-curable diseases running riot, desperate measures are in place...

Cammy Brothers is associate professor in the School of Architecture at Northeastern University. She is the author of Michelangelo, Drawing, and the Invention of Architecture and is a regular contributor on art and books to the Wall Street Journal. She lives in Brookline, Massachusetts. Website cammybrothers.com Twitter @BrothersCammy An illuminating reassessment of the architect whose innovative drawings of ruins shaped the enduring image of ancient...

"Shortlisted for the Apollo Awards Book of the Year, Apollo Magazine" Christopher S. Wood is a professor at New York University. He is the author of Forgery, Replica, Fiction: Temporalities of German Renaissance Art and Albrecht Altdorfer and the Origins of Landscape, the coauthor of Anachronic Renaissance, and the editor of The Vienna School Reader: Politics and Art Historical Method in the 1930s. An authoritative history of art history from its...