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William Logan has been called both the "preeminent poet-critic of his generation" and the "most hated man in American poetry." For more than a quarter century, in the keen-witted and bare-knuckled reviews that have graced the New York Times Book Review, the Times Literary Supplement (London), and other journals, William Logan has delivered razor-sharp assessments of poets present and past. Logan, whom James Wolcott of Vanity Fair has praised as being...
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"In Don't Read Poetry, award-winning poet and literary critic Stephanie Burt offers an accessible introduction to the seemingly daunting task of reading, understanding, and appreciating poetry. Burt dispels preconceptions about poetry and explains how poems speak to one another--and how they can speak to our lives. She shows readers how to find more poems once they have some poems they like, and how to connect the poetry of the past to the poetry...
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In Dickinson's Nerves, Frost's Woods, William Logan, the noted and often controversial critic of contemporary poetry, returns to some of the greatest poems in English literature. He reveals what we may not have seen before and what his critical eye can do with what he loves. In essays that pair different poems--"Ozymandias," "On First Looking Into Chapman's Homer," "In a Station of the Metro," "The Red Wheelbarrow," "After great pain, a formal feeling...
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C. S. Lewis's illuminating reflections on Milton's Paradise Lost, the seminal classic that profoundly influenced Christian thought as well as Lewis's own.
In Preface to Paradise Lost, the Christian apologist and revered scholar and professor of literature closely examines the style, content, structure, and themes of Milton's masterpiece, a retelling of the biblical story of the Fall of Humankind, Satan's temptation, and the expulsion of Adam and Eve...
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Poetry is one of those subjects almost impossible to define as it can be so many things at once. It can be: kids whispering limericks on the playground; secret languages used by revolutionaries and spies; or the written strength of oppressed people. Poetry is how millions of people across time have used language to try to better understand love, hate, war, religion, oppression, joy, sorrow, sex, and death. Poetry is one of the oldest forms of writing...
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Whether autobiographical, topical, or specifically literary, these writings circle the central preoccupying questions of Seamus Heaney's career: "How should a poet properly live and write? What is his relationship to be to his own voice, his own place, his literary heritage and the contemporary world?"
Along with a selection from the poet's three previous collections of prose (Preoccupations, The Government of the Tongue, and The Redress of Poetry),...
10) Why poetry
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An impassioned call for a return to reading poetry and an incisive argument for poetry's accessibility to all readers, by critically acclaimed poet Matthew Zapruder
In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry-and poetry alone-can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding...
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This volume presents an exploration of poetry and feeling, introducing poems selected by the author as emblematic because they suggest something crucial about the nature of poetry itself, and offering his insights on how the poems should be read. In this guide, the author reaches out to all those who may be disaffected by the mere mention of poetry and instructs the reader to focus on a personal, emotional response.
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In this revelatory book, Robert Hudson considers seven poets, each of whom wrote a provocative poem about a fly. Considering Emily Dickinson, William Blake, and several other poets, The Poet and the Fly brings together the poetry, the flies, and the poets' own lives to explore the imaginative, and often prophetic, insights that come from the startling combination of poetry and flies, the extraordinary and the ordinary.
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