Catalog Search Results
1) Ruins rider
Language
English
Description
Filmed in the lost territories of the Balkans, RUINS RIDER portrays the secret ruins that triggered trances over the past centuries. Using an array of hypnotic pulsating flickers, filmmaker Pierre-Luc Vaillancourt conceived an explosive kinetic experience. Accompanied by a powerful soundtrack by Marc Hurtado of the cult project Etant Donnes, RUINS RIDER is a visceral experience of hypnagogic archeology and raw energy.
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English
Description
This collection brings together a unique group of avant-garde film works. Tearing apart the barriers between eras, borders and mediums, the viewing experience encompass a total experience of the unstrapped brain of subterranean luminosity and high voltage experimentations.
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Series
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English
Description
'Damned If You Don't' is Friedrichs subversive and ecstatic response to her Catholic upbringing. Blending conventional narrative technique with impressionistic camerawork, symbols and voice-overs, this film creates an intimate study of sexual expression and repression. Featuring Peggy Healey as a young nun tormented by her desire for the sultry irresistible Ela Troyano. --Kanopy.
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English
Description
This short film weaves an unexpected narrative from Hitchcock’s trail of walk-on parts, in which the master himself is pursued by a number of shadowy doppelgängers, caught up in a world of mistaken identity. Playing out a multi-leveled ‘reality’, Grimonprez’s cinematic twists and turns echo the trademark of the Master of Suspense, while radiating a quiet and beguiling surrealism reminiscent of that other great master, Rene Magritte.
7) What I Will
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English
Description
An anthropologist, who tries to decode corporate culture, gets obsessed with the story of a parachutist who died after his equipment malfunctioned. In the parachutist’s finitude - caught in an ultimate meditative moment of plunging to an approaching death - the anthropologist sees a sudden and catastrophic voiding of the webs that hold and cradle us all.
8) Seeing red
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Series
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English
Description
'Seeing Red' is the latest work from veteran avant-garde filmmaker Su Friedrich. In this, one of her most deeply personal films to date, Friedrich takes a look back at her evolution both as a woman and as an artist, tackling her own insecurities via several on-camera diary entries. While 'Seeing Red' is a film about the existential crises of the individual, it is also a film about what unites all humanity and what unites humanity with all the matter...
10) A rebours
Language
English
Description
Canadian Institute for Exploratory Cinemas presents this transgressive short film compilation. Conceived by the underground film society Cinema Abattoir, the A Rebours short film anthology convey the spectator side of experimental and avant-garde cinema.
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English
Description
Ballet Mécanique is a Dadaist post-Cubist art film conceived, written, and co-directed by the artist Fernand Léger in collaboration with the filmmaker Dudley Murphy (with cinematographic input from Man Ray). It has a musical score by the American composer George Antheil. However, the film premiered in a silent version on 24 September 1924 at the Internationale Ausstellung neuer Theatertechnik (International Exposition for New Theater Technique)...
12) Anémic cinéma
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English
Description
35mm 1.33:1 black & white silent 20fps, 6:40 minutes; production assistance Man Ray, Marc Allégret; new music by Gustavo Matamoros; preserved by Det Danske Filminstitut. Thought provoking and offensive are possible ways to interpret the ten optical discs and corresponding puns displayed in the film. The word play fo French syllogisms gleefully collides with the protruding-receding optical illusions of the rotating spheres. Julien Levy called the...
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English
Description
16mm 1.37:1 black & white intentionally silent 16fps, 8:09 minutes; courtesy of the filmmaker. Photographer Rudy Burckhardt shows us the ebb and flow of people rushing about Manhattan. Equally exhilarating in his novel approach to snap images quickly on the run, a method he inaugurated and that continues to the present day. In film, he added slow and fast motion, split-screens and superimpositions to his repertory.
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English
Description
35mm enlarged from 16mm with 2K digital insert from 16mm 1.37:1 black & white sound, 12:27 minutes; production assistance Miriam Arsham, Alexander Hammid; with Chao-li Chi; music a mix of Chinese classical flute and drums recorded in Haiti by Maya Deren; preserved by Bruce Posner and Anthology Film Archives at Cineric, Inc. and Trackwise from camera original, optical negative and composite prints with funding provided by the Women's Film Preservation...
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English
Description
35mm 1.33:1 black & white silent 24fps, 8:53 minutes; new music by Donald Sosin; preserved by Gosfilmofond of Russia. The most fantastic effects were secured in shooting sheer heights ... It was partly the architectural wonder of New York that made the film so stirring, but, really, it was the artist's touch that moved one, the catching of mood, line, color, and feeling in the strange, walled city.-_Marguerite Tazelaar_
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English
Description
16mm 1.37 black & white sound, 12:39 minutes; dancer Bettie de Jong; music by McNeil Robinson. The sensation of our own movement and the perception of movement in the world around us are very primal experiences from early infancy. It is in this world of movement (the kinesthetic experience) that film and dance make their most exciting and unique contributions. -_Hilary Harris_
18) Transport
Language
English
Description
16mm 1.37:1 color sound, 5:43 minutes; camera Sandy D'Annunzio; music Indiran; with Lee Vogt, Amy Greenfield, Chuck Williams, Steven Holly, Joel Polinsky, Don Young, Tom Vint; preserved by Amy Greenfield at WRS Film Lab from camera originals; courtesy of the filmmaker. _Transport_ came out of many influences in the early 1970s: the dead of Vietnam; the poem by my poetry teacher Anne Sexton, _For God While Sleeping_; the post-modern dance experiments...
20) Castro Street
Language
English
Description
16mm 1.37:1 color sound, 9:59 minutes; preserved by Academy Film Archive in 1999 at Triage Motion Picture Services from camera original sand magnetic soundtrack archived at Pacific Film Archives; mastered from the 35mm preservation negative; 1080p digital restoration by Bruce Posner at DuArt Video, FilmVideoDigital, and Gustavo Matamoros; courtesy of the filmmaker.
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