Dvořák's prophecy : and the vexed fate of Black classical music
(Book)
Author
Contributors
Shirley, George, other.
Published
New York : W. W. Norton & Company, 2022.
ISBN
9780393881240, 0393881245
Appears on list
Status
St. Charles Public Library District - Adult Nonfiction
780 HOR
1 available
780 HOR
1 available
Description
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Copies
Location | Call Number | Status |
---|---|---|
St. Charles Public Library District - Adult Nonfiction | 780 HOR | On Shelf |
Location | Call Number | Status |
---|---|---|
Batavia Public Library District - Adult Nonfiction | 780 HOR | On Shelf |
Bloomingdale Public Library - Nonfiction | 780.973 HOR | On Shelf |
Carol Stream Public Library - Adult Nonfiction | 780.973/HOR | On Shelf |
Downers Grove Public Library - 2nd Floor - Adult | 780.973 HOR | On Shelf |
Eisenhower Public Library District - Stacks | 780.9 HOR | On Shelf |
More Details
Published
New York : W. W. Norton & Company, 2022.
Format
Book
Physical Desc
xxiii, 229 pages ; 24 cm
Language
English
ISBN
9780393881240, 0393881245
Notes
Bibliography
Includes bibliographical references and index.
Description
"A provocative interpretation of why classical music in America "stayed white"-how it got to be that way and what can be done about it. In 1893 the composer Antonin Dvorák prophesied a "great and noble" school of American classical music based on the searing "negro melodies" he had excitedly discovered since arriving in the United States a year before. But while Black music would found popular genres known the world over, it never gained a foothold in the concert hall. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to Gershwin's Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Leonard Bernstein and Aaron Copland, he looks back to literary figures-Emerson, Melville, and Twain-to ponder how American music can connect with a "usable past." The result is a "new paradigm" that makes room for Black composers including Harry Burleigh, Nathaniel Dett, William Dawson, and Florence Price to redefine the classical canon"--,Provided by publisher.
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Citations
APA Citation, 7th Edition (style guide)
Horowitz, J., & Shirley, G. (2022). Dvořák's prophecy: and the vexed fate of Black classical music (First edition.). W. W. Norton & Company.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Horowitz, Joseph, 1948- and George, Shirley. 2022. Dvořák's Prophecy: And the Vexed Fate of Black Classical Music. W. W. Norton & Company.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Horowitz, Joseph, 1948- and George, Shirley. Dvořák's Prophecy: And the Vexed Fate of Black Classical Music W. W. Norton & Company, 2022.
MLA Citation, 9th Edition (style guide)Horowitz, Joseph, and George Shirley. Dvořák's Prophecy: And the Vexed Fate of Black Classical Music First edition., W. W. Norton & Company, 2022.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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